License Holder: Mahoor Institute of Cultural and Art
Directed: Mohammad Mousavi
Editorial Board: Sassan Fatemi, Mohammad Mousavi, Bâbak Khazrâ’i, Arash Mohâfez, Sa’id Kordmâfi
Articles: 1. Music and Social Structure: The Takht Tradition of Early-Twentieth Century Cairo,Ali Jihad Racy, translated by Leylâ Rasuli 2. Music at the Zand Era, Seyyed-Hoseyn Meysami 3. Remarks on the Notation of Some Special Kinds of Rhythms in Iranian Music, Hâdi Sepehri 4. Majlesâra and Tarabangiz: Two Innovative Instruments of the Qajar Period, Mehdi Farâhâni
Miscellaneous Notes: 1. Remarks on the Terms “Right” and “Left” in Playing the târ, Sepantâ Hâmedinezhâd 2. Sâdeq Jân Asadoghli, Feridun Shushinsky, translated by Farhud Safarzâde
Fundamental Concepts: 1. Let It be Called “Comparative Ethnomusicology”, David Locke, translated by Leylâ Rasuli 2. On Not Losing Heart: A Response to Savage and Brown’s “Toward a New Comparative Musicology”, David Clarke; translated by Leylâ Rasuli 3. Toward a New Comparative Musicology: Some Comments on the Paper by Savage and Brown, Victor Grauer, translated by Leylâ Rasuli
In Memoriam: 1. Nurmohammad Dorpur, Ameneh Youssefzadeh 2. Nurmohammad Dorpur, Mohammad-Amin Khaliliyân 3. Hâbil Aliev, Amir-Ahmad Râstbod
Interview: 1. Interview with Abdollâh Davâmi, Dariush Talai and Jean During
Critique and Review: 1. Semiotics of Music: First Shaky Steps, Ârvin Sedâqatkish 2. Melody and Morality: Rousseau’s Influence on French Music Criticism, Jane Fulcher, translated by Elnâz Musavi 3. Till Another Season, Seyyed-Mohammad Mousavi
