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Mahoor Music Quarterly. No. 22

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Mahoor Music Quarterly. No. 22

  • Publish Year : 2004
  • License Holder: Mahoor Institute of Cultural and Arts
  • Directed: Mohammad Mousavi
  • Editorial Board: Sassan Fatemi, Hooman Asadi and Mohammad Mousavi
About :

Articles: 1. Cross-Cultural Perspectives in Popular Music: The Case of Afghanistan, John Baily, translated by Natalie Chubineh 2. Origin and Development of Popular Music in Iran: From the Beginning to 1979, Sasan Fatemi 3. Theoretical Foundations of Persian Classical Music: Dastgâh as a Multi-Modal Cycle, Hooman Asadi 4. Halparki: Kurdish Dance Music, Bahman Hâj-Amini 5. Iqâ’ Cycles: The Case of Banâ’i, Bâbak Khazrâ’i 6. Shahriyâr and Music, Asghar Fardi 7. Music and Medicine in Islamic Civilization, Adel Bekri, translated by Ali Pâpoli-Yazdi

Basic Concepts: 1. Mode as a Musicological Concept, Harold S. Powers, translated by Ali Pâpoli-Yazdi

Viewpoints: 1. Till Another Season, Seyyed-Mohammad Mousavi

Interview: 1. An interview with Majid Kiâni, Interviewer Eynollâh Mosayyebzâdeh

Reports: 1. A Letter from Fieldwork in Transylvania, Romania, Béla Bartók, translated by Siâvash Beyzâ’i 2. Instrumental Playing: A Dangerous Art, Shahrâm Sâdeghi 3. International Music Congress, Tehran, 1961 4. Oriental Music and Occidental Harmony, Jacque Chaillet 5. Problems of Preservation of Traditional Forms, Samuel Baud-Baovy 6. Western Music written by Oriental Musician, Peter Crossly-Holland

Book and Records Review: 1. Remarks on History of the Persian Music Sound Recording by sasan Sepanta, Amir Mansur 2. On an Auditory Magazine, Sasan Fatemi


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