| Name |
Time |
Previews |
|
Shahriyâr's Birth and Early Familiarity with Quran and Hâfez's Poetry
|
3:55 |
|
|
Constitutional Revolution and Migration to the Village
|
1:25 |
|
|
Studying the Basics of French and Arabic Literature
|
2:28 |
|
|
Embarking on Poetry Writing
|
6:22 |
|
|
Eqbâl Âzar and Shahriyâr
|
1:53 |
|
|
Ghazal
|
4:11 |
|
|
Migrating to Tehran and Choosing a Pen Name
|
3:09 |
|
|
Ghazal-e "Dar Entezâr-e Faraj" (Awaiting Fulfillment)
|
4:18 |
|
|
Publishing the First Poetry Collection
|
3:56 |
|
|
Ghazal-e "Havâ-ye Nây-e Arâqi"
|
4:38 |
|
|
Familiarity with Parvin E'tesâmi and Sâdeq Hedâyat
|
1:35 |
|
|
Sabâ and Shahriyâr and Music
|
5:27 |
|
|
Piece "My Musical Instrument and Its Memories"
|
2:44 |
|
|
Shahriyâr's Vocal, Accompanied by Mojtabâ Mirzâdeh on the Kamânche (Dastgâh-e Mâhur)
|
10:21 |
|
|
Ghazal-e "Mastâne Bemiram" (Elated, I will Die)
|
5:13 |
|
|
Emotional Crisis
|
7:21 |
|
|
Being Expelled to Khorasan, Visiting Kamâlolmolk and Habib Samâ’i
|
3:57 |
|
|
Companions in Tehran
|
2:28 |
|
|
Ghazal-e "Sepehr-e Bâygân"
|
3:56 |
|
|
Nimâ and Shahriyâr (Modern Poetry)
|
6:40 |
|
|
Ghazal-e "Morghân-e Chaman" (Piano: Rezâ Razavi)
|
9:29 |
|
|
Mahmud Khansâri's Vocals (A Ghazal by Shahriyâr )
|
8:55 |
|
|
Migrating to Tabriz, Writing Poetry in Azeri and Living in Tabriz
|
8:52 |
|
|
Ghazal-e "Châdor-e Chupâni" (Sheperd's Tent)
|
5:09 |
|
